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Art glass vases as corporate honorary gifts: a Pont-à-Mousson SA case study, part one, Gallé
The Thomas vase (1931)
Apr 11
•
Samuel Provost
6
November 2024
From paper to glass: design copying techniques in the Établissements Gallé
The Alfred Machin collection of Gallé stencils and pouncing patterns.
Nov 5, 2024
•
Samuel Provost
2
October 2024
Mismatched lamps and later ‘marriage’ of parts from the Établissements Gallé
A note on the division of labour and serial production issues
Oct 28, 2024
•
Samuel Provost
4
1
August 2024
Émile Gallé, Gallé or Établissements Gallé, what’s in a name?
Thoughts on a thorny debate about the Gallé glass nomenclature.
Aug 22, 2024
•
Samuel Provost
2
December 2023
Jean Rouppert as the designer of Gallé lamps in the early 1920s
With an additional note on a previously unreported type of signature.
Dec 26, 2023
•
Samuel Provost
8
1
November 2023
The Coprins lamp and its production run: a reassessment.
Some new evidence on the chronology of Émile Gallé’s masterpiece and its number of specimens.
Nov 15, 2023
•
Samuel Provost
September 2023
A posthumous homage from Émile Gallé to Marcelin Daigueperce
Looking for a missing verrerie parlante with a quote from Saint John's Gospel
Sep 26, 2023
•
Samuel Provost
August 2023
Robert Chevalier and the Gallé family’s investment in Meisenthal glassworks
A new document as an introduction to one of Établissements Gallé’s administrators in the 1920s.
Aug 14, 2023
•
Samuel Provost
3
Understanding Gallé labels (II): Fake Gallé labels.
Did the Gallé retail shop in Nancy have its own labels?
Aug 7, 2023
•
Samuel Provost
June 2023
Commemorating the war in the Vosges mountains (1915).
A hitherto unknown specimen of Gallé’s “war vases”.
Jun 29, 2023
•
Samuel Provost
April 2023
Fake Gallés (I): When a floral design masquerades as an undersea landscape.
Or how to ruin an authentic Gallé vase.
Apr 10, 2023
•
Samuel Provost
4
2
February 2023
Irénée, Henri and Gaston Jacquemard
A family of glass engravers in the Établissements Gallé
Feb 28, 2023
•
Samuel Provost
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